Monasticism: Part II "Welcoming but Challenging"

Welcome to Part II of the monasticism blogs.

The previous blog was about how Monasticism emphasized communal nature of Christian life over the individual “personal Jesus.” This emphasis on the internal Christian community did not mean that they ignored those outside their cloister. Rather, this community could be described a certain way: welcoming, but challenging.

The Monks of Saint Benedict were not the kind of monks who thought that interacting with outsiders was taboo. In fact, the idea of welcoming a stranger was as important as anything else. Any stranger could knock on an abby door, ask for a place to stay, and be welcomed. One could say that the stranger might be “welcomed warmly” but this does not do the monks justice. The instructions for hospitality clearly went above and beyond:

All guests who present themselves are to be welcomed as Christ, for he himself will say: I was a stranger and you welcomed me (Matt 25:35). Proper honor must be shown to all, especially to those who share our faith (Gal 6:10) and to pilgrims…All humility should be shown in addressing a guest on arrival or departure. By a bow of the head or by a complete prostration of the body, Christ is to be adored because he is indeed welcomed in them. After guests have been received, the should be invited to pray; then the superior or appointed brother will sit with them.


The idea of welcoming strangers as if they were Christ himself is such a strong notion. Yet here, it seems so imminently scriptural.

Yet actually becoming one of the monks was significantly challenging. If someone hoped to join the monastery, they first had to show a great degree of persistence –even to get though the front door! Additionally, after persistently knocking on the door, those joining were not initiated right away. There was a long on-going process –a kind of vetting- in which a new member would go through before becoming a full monk. This lasted an entire year. The cautiousness in accepting a new member is summed up in this sentence from the rule: “Do not grant newcomers to monastic life an easy entry, but as the Apostle says, ‘Test the spirits to see if they are from God (1 John 4:1)’”

This could be summed up in what is meant by “welcoming, but challenging.” Strangers are welcomed as Christ himself. They were lavishly loved and cared for*. Yet those who wish to join must have patience. This is because the Christian life can be hard. It takes time to grow into.

That’s for part III.

Thanks for reading.


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*I should say that I and my family experienced something like this. Many years ago, while vacationing in Italy, my Dad had our family stay at convent. He’s cousin was a nun there. They were some of the most hospitable and caring people I have ever seen.

WordLive


This looks like a brilliant resource and worth building it into your daily routine. It seems that it is available on your mobile, via RSS and on the web. It could help us all to become a little more Bible literate... Go to:

http://www.scriptureunion.org.uk/WordLive

Words on the Word

Just saw this on the news. I can see what the artist was trying do - to get people to interact with the Scriptures and to see them as something that is theirs and something that includes them and can affect their lives... Unfortunately...

The scriptures, through years of biblical scholarship and biblical criticism, have become something that can be criticized, compartmentalised, and personalised. The good news with this is folks that we now understand more about the bible and the biblical world and it's context and language than ever before.

The bad news is that placing the bible 'out there' as art, means that it becomes something that can be interacted with in ways that might not been seen as 'appropriate' or in ways that neither the church nor the artist intended.

The whole world has been privatised, courtesy of modern and post modern culture. This includes what might be considered to be 'true', including whether the Bible might be 'true', and what might be considered to be 'art' or not.

Now without sparking a whole debate on the Turner Prize et al, I think that the intentions of the artist were noble. She was asking contemporary Britain questions like: what is the Bible? How do we 'use' it? What, if anything, do these ancient stories say to me or about me?

Perhaps this art installation, has revealed something else, a real need for a renewed vocabulary for understanding the Scriptures in a post Biblical age, and serious lack of Biblical literacy within contemporary Britain.

This is surely a great task for the church. Jesus is God's Incarnate Word. How do we incarnate the great truths of God contained in the Big Story of the Bible in a post-Christian, post-biblical, and post-book era? We need to follow Jesus, become story tellers again. Trevor Hart once said that Christians should become familar with carrying the Bible in one hand and a a novel in the other.

His point was that that the language and images used in novels should inform how we 'translate' the Bible into contemporary living.

I would like to echo the thinking of Mark Brown and others at the recent Digital Symposium in Durham - that we should have novels, newspapers, and access to digital media such as the internet, tv and radio, DVDs, and social netowking tools like Twitter and Facebook...

... and tell our own parables in pixels and 140 characters.
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